Essays Of Elia Analysis Meaning
Summary of the Essay OLD CHINA by Charles Lamb
The pictures on old-china tea-cups are drawn without any sense of perspective. The eye helps us in making up the sense of distance. The figures may be up in the air but a speck of blue under their feet represents the earth. The men on these cups and jars have women’s faces and the women have more womanish expressions.
In the past they would walk to Enfield and Potter’s Bar, and Waltham on a holiday. They would go there with their meagre lunch and enter in a decent inn. There they were lucky having an honest hostess like the one described by Izaak Walton in his The Complete Angler. Formerly, they used to sit in the pit to witness the dramatic performances. They squeezed out their shillings to sit in the one shilling gallery. There Elia felt many a time that he ought not to have brought Bridget who was grateful to him for having brought her there. When the curtain was drawn up, it did not matter where one sat. So Elia used to say that “the Gallery was the best place of all for enjoying a play socially”. The spectators in the Gallery were illiterate ones who never read the plays and who therefore were highly attentive to the play. Bridget received the best attention there because there was chivalry still left, but now Elia cannot see a play from the Gallery. So Bridget says that his sight disappeared with his poverty.
As long as Bridget was in a rhetorical vein speaking thus, Elia kept quiet. At last he told her that they must put up with the excess. He said that they must be thankful for their early struggles. Because of the past suffering, they were drawn together. “We must ride, where we formerly walked; live better, and lie softer.”
Essays of Elia is a collection of essays written by Charles Lamb; it was first published in book form in 1823, with a second volume, Last Essays of Elia, issued in 1833 by the publisher Edward Moxon.
The essays in the collection first began appearing in The London Magazinein 1820 and continued to 1825. Lamb's essays were very popular and were printed in many subsequent editions throughout the nineteenth century. The personal and conversational tone of the essays has charmed many readers; the essays "established Lamb in the title he now holds, that of the most delightful of English essayists." Lamb himself is the Elia of the collection, and his sister Mary is "Cousin Bridget." Charles first used the pseudonym Elia for an essay on the South Sea House, where he had worked decades earlier; Elia was the last name of an Italian man who worked there at the same time as Charles, and after that essay the name stuck.
American editions of both the Essays and the Last Essays were published in Philadelphia in 1828. At the time, American publishers were unconstrained by copyright law, and often reprinted materials from English books and periodicals; so the American collection of the Last Essays preceded its British counterpart by five years.
Critics have traced the influence of earlier writers in Lamb's style, notably Sir Thomas Browne and Robert Burton – writers who also influenced Lamb's contemporary and acquaintance, Thomas De Quincey.
Some of Lamb's later pieces in the same style and spirit were collected into a body called Eliana.
The following essays are included in the collection:
- "The South-Sea House"
- "Oxford In The Vacation"
- "Christ's Hospital Five-And-Thirty Years Ago"
- "The Two Races Of Men"
- "New Year's Eve"
- "Mrs Battle's Opinions On Whist"
- "A Chapter On Ears"
- "All Fools' Day"
- "A Quakers' Meeting"
- "The Old and The New Schoolmaster"
- "Valentine's Day"
- "Imperfect Sympathies"
- "Witches And Other Night-Fears"
- "My Relations"
- "Mackery End, In Hertfordshire"
- "Modern Gallantry"
- "The Old Benchers Of The Inner Temple"
- "Grace Before Meat"
- "My First Play"
- "Dream-Children; A Reverie"
- "Distant Correspondents"
- "The Praise Of Chimney-Sweepers"
- "A Complaint Of The Decay Of Beggars In The Metropolis"
- "A Dissertation Upon Roast Pig"
- "A Bachelor's Complaint Of the Behaviour Of Married People"
- "On Some Of The Old Actors"
- "On The Artificial Comedy Of The Last Century"
- "On The Acting Of Munden".
And in Last Essays of Elia:
- "Blakesmoor in H——shire"
- "Poor Relations"
- "Detached Thoughts on Books and Reading"
- "Stage Illusion"
- "To the Shade of Elliston"
- "The Old Margate Hoy"
- "The Convalescent"
- "Sanity of True Genius"
- "Captain Jackson"
- "The Superannuated Man"
- "The Genteel Style of Writing"
- "Barbara S——
- "The Tombs in the Abbey"
- "Amicus Redivivus"
- "Some Sonnets of Sir Philip Sidney"
- "Newspapers Thirty-Five Years Ago"
- "Barrenness of the Imaginative Faculty in the Productions of Modern Art"
- "The Wedding"
- "Rejoicings upon the New Year's Coming of Age"
- "Old China"
- "The Child Angel; a Dream"
- "Confessions of a Drunkard"
- "Popular Fallacies".
Among the individual essays, "Dream-Children" and "Old China" are perhaps the most highly and generally admired. A short musical work by Elgar was inspired by "Dream-Children". Lamb's fondness for stage drama provided the subjects of a number of the essays: "My First Play," "Stage Illusion," Ellistoniana," etc. "Blakesmoor in H——shire" was actually written about Blakesware in Hertfordshire, the great house where Lamb's maternal grandmother was housekeeper for many years.
- ^William Vaughan Moody and Charles Morss Lovett, A History of English Literature, New York, Charles Scribner's Sons, 1918; p. 330.
- ^Will D. Howe, Charles Lamb and His Friends, New York, Bobbs-Merrill, 1944; p. 269.
- ^Moody and Lovett, p. 331.
- ^Charles Lamb, The Essays of Elia and Eliana, Barry Cornwall, ed., London, George Bell & Sons, 1890.
- ^Howe, p. 291.
- ^Howe, p. 279.